Ganizoda Jamshed Shujoat

Annotation:

This article examines the Samanid era (9th–10th centuries) – one of the most striking pages in the history of Central Asia, which became a powerful impetus in the formation and development of art in architecture. Further, the developed and late Middle Ages in the architecture of the region (11th–17th centuries) are considered through the prism of three important stages, where the period from the 11th to the beginning of the 13th century is defined as classical for the architecture of Tajikistan. A striking example of the synthesis of arts in architecture in the republic is the Hazrati Posho (Mir Hamza) mausoleum in the Chorkukh jamoat (rural community) of the Isfara district of the Sughd region. Its uniqueness lies in its complex wooden structure, erected without the use of nails and decorated with artistic carvings. In the early Middle Ages, fine arts (wall painting, sculpture) were an integral part of architectural ensembles in the spiritual life of the ancestors of the Tajiks. It is emphasized that buildings of that time, such as mausoleums, palaces and mosques, were distinguished by their monumentality and harmonious proportions.The article highlights the rich diversity of decorative elements, including mosaics, carved brick, plaster, and painting, which blend seamlessly into the overall composition of the buildings, forming the basis for the creative approach of the region's architects to the application of past traditions.

Keywords: fine arts, architecture, interior, monumentality, facade, decorative domes, mosque, ornament, kundal, wall painting.